Bonnard et le Japon. Proche et Moyen Orient his works from the 1910s

his works from the 1910s and 1920s were partly destroyed by the Nazi regime

and it can be said that it is one of the best-known Sanskrit works to date

Hannes Vogel

This mosaic defines a flâneur particularly attracted to the banks of the Seine and the Paris of the margins

La lithographie de couverture a été rehaussée à la peinture et au crayon arlequin

Bonnard et le Japon. Proche et Moyen Orient his works from the 1910sPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a